Showing posts with label YA lit. Show all posts
Showing posts with label YA lit. Show all posts

Friday, May 02, 2014

Feed by M.T. Anderson

This satirical young-adult novel caught my eye in the bookstore because it had been nominated for the National Book Award.  I wasn't aware at the time that the National Book Foundation had a category for YPL, or Young People's Literature, but I am glad I picked up the book anyway.  Feed takes the current commercialized Internet, facebook, and texting, and fast-forwards into a future where people have constant streams of information fed directly into their brains.  The feed has infiltrated so much into the culture that it is the dominant force in the people of the novel's lives, and its influence commercializes everything. The feed offers mostly advertising information to its users, including lingo and images, and the pieces of the feed that are included between chapters illuminate the extent to which even political speech is dumbed-down. In this future, space travel to the moon and Jupiter is also relatively easy, people can "feel" their credit being taken from them, and radiation lesions are commonplace. These facts are taken for granted, and no one seems to question things very much

The language in the novel at first is jarring, not just because it is "typical teen"-speak, but also because it has future slang in it.  After a while, though, the slang is easy to decipher, and doesn't become much of a barrier to enjoying the story, at least for this reader.  There is plenty of crude current-day language in the novel, too, which may stop some parents and does stop me from recommending it for young readers.  The novel tells a boy-meets-girl story, with the twist of a hacker invading "the feed" at a party in the first few chapters. The teens at the party who were affected by the hacker end up spending some time in the hospital to ensure their feeds are still working -- an episode that doesn't stop the main character, a teenage boy, for very long, but which has lasting consequences for Violet, or Vi, his main romantic interest.

The novel is written from the boy's perspective, which is shallow and self-absorbed, as most of us are.  The boy's perspective is an extension of the feed, in some ways, and Vi tries to teach him to resist it.  Vi's character fascinates the boy due to her "old-fashioned" vocabulary, common sense, and wit. She was home-schooled, and her father is a former professor whose vocabulary is even more old-fashioned. I related to the father, as an old fuddy-duddy who loves some old novels/literature and tries in some ways to resist the pull of technology on our lives. The boy sees the father as behind the times, and he is in many ways.  However, even the father cannot resist the feed completely, and he tells his own story toward the end, explaining why he felt he had to provide the feed to himself and his family.

The novel has a somewhat cliched plot buried in all its satirical commentary on consumerist culture.  It is definitely a YA novel, but the thoughts it provokes make it worth reading.  I enjoyed the author's take on where we are headed, and wondered what kind of nightmare the culture can produce if some of the novel's predictions become true.  I ached for the characters by the end.

Tuesday, September 10, 2013

Divergent by Veronica Roth

Divergent
Divergent (Photo credit: prettybooks)
This young adult novel grabbed my attention over the weekend -- I listened to the first half on audiobook, then read the second half on an iPad.  It tells a by-now familiar story of young heroes finding love in a dangerous fantasy world (familiar to fans of The Hunger Games or Twilight, to be sure), with just enough imagination to make the story feel new.  The love story is pretty predictable, but it gave enough interest to the story to keep me reading.  The fantasy world is a future version of Chicago divided into "factions" based on personality and values, in which 16-year-olds are given a choice of which faction they will belong to for the rest of their lives.  The heroine, Beatrice Pryor, chooses between "Abnegation," the selfless faction from which all the government is formed and to which her family belongs, and "Dauntless," the courageous faction that defends the city, toward the beginning of the novel.  The other factions, "Erudite," "Candor," and "Amity," all have roles that fit their values -- seeking knowledge, truth, or getting along, respectively -- in the society created by the novel.  The choice she makes, to forsake her family and join Dauntless, introduces her to a new family of sorts that she must compete against in initiation -- her peers, other 16-year-olds who have chosen to switch factions.  It is an interesting conceit, mirroring contemporary high school and the switch from family to peer loyalty.  The Dauntless initiation is risky, involving physical fights, mind games designed to force initiates to overcome their worst fears, and ruthless competition.  In this dangerous initiation, Beatrice (her name shortened to Tris), meets and ultimately falls in love with Four, a trainer within the process, age 18.  The main obstacle to these two lovers coming together is that Tris is preoccupied, and rightly so, with surviving the Dauntless initiation.  Four has his own demons, which aren't fully explored until the end, when we learn the reason for his unusual name.  I don't want to spoil anything, so I'll leave the plot description there.

The main reasons I like this novel are its focus on confronting fear, its authenticity in describing the internal world of a teenager in this conflicted society, and its simple prose, which makes it a quick read.  One chapter, in particular, stands out for its depiction of fear -- the chapter about ziplining from the top of a skyscraper, which strains credulity but also provides a glimpse into how overcoming fear creates a bond among those who have done so.  The teenage heroine's internal consistency is shown in multiple scenes, but particularly in the scenes involving a technology that allows her to be tested through a sort of shared hallucination -- the "aptitude test" before she chooses her faction (from whence we get the novel's title), then again when she confronts fears as part of the Dauntless initiation.  Finally, the stripped-down prose allows the reader to focus on the plot and doesn't get in the way, with the possible exception of the fact that the faction's names are not parallel -- something that probably only bothers a grammar geek like me.
 
Young adult (YA) literature has reached deeper into the culture since Harry Potter became a pop culture phenomenon, with both good and bad effects.  Twilight, The Hunger Games, and now The Mortal Instruments (City of Bones) have all been made into movies.  I have read bits and pieces of all three of these series and have seen most of the Twilight movies and The Hunger Games movie, mostly because of my wife's influence.  I also loved the Harry Potter series, and thought the movies did a decent job of bringing the books to life.  Harry Potter bent the children's lit/fantasy genre in some ways, while more recent books have been following a YA genre formula. Some have been called "dystopian" futures, especially The Hunger Games, but I don't think they fit that term precisely.  (I tend to think of A Brave New World, 1984, and Bladerunner as more dystopian than The Hunger Games, but maybe that's just me.)  Divergent will also be made into a movie in 2014, part of the trend toward YA lit in moviemaking.  It does fit neatly into the genre of "dystopian" YA fiction, and I hope it is a stepping stone toward those classic dystopian fiction novels for young readers.  The only place it really falls short is that its themes do not come close to the questioning of norms that truly dystopian fiction evokes.
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