Thursday, February 15, 2007
The Good German
I read this page-turner a while back and enjoyed it quite a bit. I'm glad to see it's been turned into a movie, although I'm not sure I'll make it to the theater to see it. The setting is post-World War II Germany, Berlin specifically. I am somewhat familiar with that territory, having had the privilege to be in Berlin at the 50th anniversary of the end of the war. The book does not center around German struggles, despite the title, so not to worry for those Deutsch-o-phobes out there. It's basically a detective story with a few twists and turns set in the bombed-out center of a ruined totalitarian state. It had me guessing as far as the mystery goes, but I've never been good at figuring out mysteries. The novel does follow a fairly tried-and-true formula, but it's a well-crafted genre book with an interesting cast of characters. I found myself rooting for the good guys and against the bad guys, and I ask nothing more of a good detective story. There is a sex scene in the novel -- nothing Hollywood would find at all racy, but some more conservative readers might. This book is a follow-up to the more successful Los Alamos. Both novels are recommended. The author is Joseph Kanon.
Friday, February 02, 2007
Flags of our Fathers
My dad got me this book for Christmas, and I read it through in about a week. It is a well-told story of the six men who raised the flag on Iwo Jima in the famous photograph that became a national symbol and ultimately, the Marine Corps memorial statue in Washington, D.C.
The book is engrossing in its detail and authoritative in style. It aims to set the record straight about the facts of the flag-raising and to memorialize the author's father, who was one of the flagraisers. It succeeds in those two goals. The author's account of his father's life and his lifelong silence about the photograph and all other aspects of Iwo Jima is eloquent. Like many father-son relationships, it is clear that in this non-fiction account, what is not said is more important than what is.
I have not seen the movie that was recently filmed based on this book's account of Iwo Jima, nor the counterpoint Clint Eastwood production, Letters from Iwo Jima. I would have liked to have seen more first-hand accounts from the Japanese side included in this book. It is very one-sided in its description of the battle, and not necessarily so. Toward the end of the book, there are a few hints that the author's father may have begun to come to terms with the Japanese side of the horrible battle. I would have liked to have seen the same willingness to try to understand the Japanese soldiers, who are mostly seen as the perpetrators of atrocities in the book, on the son's part. But perhaps that is one of the legacies of war -- an unwillingness to see history through the other side's eyes, especially when father-son loyalties are put to the test.
The book is engrossing in its detail and authoritative in style. It aims to set the record straight about the facts of the flag-raising and to memorialize the author's father, who was one of the flagraisers. It succeeds in those two goals. The author's account of his father's life and his lifelong silence about the photograph and all other aspects of Iwo Jima is eloquent. Like many father-son relationships, it is clear that in this non-fiction account, what is not said is more important than what is.
I have not seen the movie that was recently filmed based on this book's account of Iwo Jima, nor the counterpoint Clint Eastwood production, Letters from Iwo Jima. I would have liked to have seen more first-hand accounts from the Japanese side included in this book. It is very one-sided in its description of the battle, and not necessarily so. Toward the end of the book, there are a few hints that the author's father may have begun to come to terms with the Japanese side of the horrible battle. I would have liked to have seen the same willingness to try to understand the Japanese soldiers, who are mostly seen as the perpetrators of atrocities in the book, on the son's part. But perhaps that is one of the legacies of war -- an unwillingness to see history through the other side's eyes, especially when father-son loyalties are put to the test.
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